1. مینروا
  2. کتاب
  3. ادبیات و رمان
  4. مجموعه کامل متون نثر ساموئل بکت (1989-1929)

مجموعه کامل متون نثر ساموئل بکت (1989-1929)

عنوان فارسی
مجموعه کامل متون نثر ساموئل بکت (1989-1929)
عنوان اصلی

Samuel Beckett: The Complete Short Prose, 1929-1989

 

نویسنده
 Samuel Beckett /  ساموئل بکت
نوع چاپ
رقعی هاردکاور
تعداد صفحات
      294
ناشر و سال چاپ
Grove Pr; 1st Edition (April 1, 1996)

 

نویسندگان: samuel beckett, ساموئل بکت
300,000تومان

موجود در انبار

null

تضمین کیفیت کالا

محصولات با کیفیت و استاندارد

null

ارسال رایگان

برای سفارش های بالای 500 هزارتومان

null

پشتیبانی آنلاین

ارسال پیام از طریق واتس اپ

null

ضمانت بازگشت وجه

7 روز ضمانت بازگشت وجه

Nobel prize winner Samuel Beckett is one of the most profoundly original writers of our century. He gives expression to the anguish and isolation of the individual consciousness with a purity and minimalism that have altered the shape of world literature. A tremendously influential poet and dramatist, Beckett spoke of his prose fiction as the “important writing,” the medium in which his ideas are most powerfully distilled. Here, for the first time, his short prose is gathered in a definitive, complete volume by leading Beckett scholar S. E. Gontarski.

In the introduction, Gontarski discusses Beckett’s creative roots in the tradition of Irish storytelling and the perpetual evolution of his writing as he “pushed beyond recognizable external reality and discrete, recognizable literary characters, replacing them with something like naked consciousness or pure being.”

From the 1929 “Assumption,” published in transition magazine when Beckett was twenty-three, to the aptly named “Stirrings Still,” written when he was eighty-two, and including a new translation of “The Image” as well as the newly translated and previously unpublished “The Cliff,” Gontarski has arranged Beckett’s work into a smooth chronology that suggests, as he puts it, “Beckett’s own view of his art, that it is all part of a continuous process, a series.”

Review

Beckett was a standard-bearer for the avant-garde, so it’s been easy to overlook how oddly old-fashioned a writer he also was. The informing sensibility of his work can seem remote, Edwardian even: the high poeticism — all shadows, staring skulls, and scattered flowers — verges on symboliste affectation; the vaudevillian scurrilities seem no less arch and worn. Of course the difficult trick of Beckett’s art, displayed in wonderfully weird stories like “First Love,” was to convert these exhausted properties into occasions of enduring surprise. Beckett’s short prose is a major part of his achievement and especially close to his heart. All the more pity that this book isn’t in fact complete: the publisher has chosen opportunistically to relegate the early stories of More Pricks than Kicks and the late trilogy of Worstward Ho, Company, and Ill Seen, Ill Said, to separate volumes.
Copyright © 1996, Boston Review. All rights reserved.From The Boston Review

No matter how quixotic [Beckett’s] later prose may seem, he never lost his rhythm, his precision, his lyricism or his deadpan humor. — The New York Times Book Review

پیشنهاد های مشابه
فهرست