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I am a sick person. I am a spiteful person. An unattractive person, too . . .’
In the depths of a cellar in St. Petersburg, a retired civil servant spews forth a passionate and furious note on the ills of society. The underground man’s manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet Dostoyevsky’s disturbing character causes an uncomfortable flicker of recognition, and we see in him our own human condition.
From the Inside Flap
Dostoevsky’s most revolutionary novel,” Notes from Underground marks the dividing line between 19th- and 20th- century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original
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