1. مینروا
  2. کتاب
  3. فلسفه
  4. مارکس و مارکسیسم
  5. یادداشت هایی برای درسگفتار آدورنو (جلد اول)

یادداشت هایی برای درسگفتار آدورنو (جلد اول)

عنوان فارسی
یادداشت هایی برای درسگفتار آدورنو (جلد اول)
عنوان اصلی

Notes to Literature, Volume 1

 

نویسنده
Theodor Adorno  /  تئودور آدورنو
نوع چاپ
رقعی هاردکاور
تعداد صفحات
300
ناشر و سال چاپ
Columbia University Press; First Edition (July 8, 1991)

 

نویسندگان: Theodor Adorno, تئودور آدورنو
380,000تومان

موجود در انبار

null

تضمین کیفیت کالا

محصولات با کیفیت و استاندارد

null

ارسال رایگان

برای سفارش های بالای 500 هزارتومان

null

پشتیبانی آنلاین

ارسال پیام از طریق واتس اپ

null

ضمانت بازگشت وجه

7 روز ضمانت بازگشت وجه

A brilliant collection of short essays on literary subjects e.g. Beckett, Balzac, Proust, Thomas Mann, Dickens, Goethe, Heine, the lyric, realism, the essay, and the contemporary novel by the great social theorist (1903-1969), originally published in 1958 as Noten zur literature (Suhrkamp Verlag, F

From Library Journal

These 17 essays by an important European critic of the Frankfurt school deal with a broad range of topics: the essay form, the epic, the narrator in the contemporary novel, lyric poetry and society, surrealism, Beckett’s Endgame , and various European authors (Balzac, Goethe, Proust, Valery, Bloch, Heine, etc.). The essays are generally pitched at a rather high level of abstraction and with a Marxist philosophical slant: the response of literature and individual artists to alienation in an industrial/capitalist society is a recurring concern. Though this is primarily a book for specialists and academic libraries, Adorno’s thought and highly suggestive remarks are well worth the effort.
– Richard Kuczkowski, Dominican Coll., Blauvelt, N.Y.
Copyright 1991 Reed Business Information, Inc.

Review

“Adorno’s “Notes to Literature,” which begins with the high leap of his great essay ‘The Essay as Form, ‘ sets an inimitable, always exhilarating standard. A volume of Adorno’s essays is equivalent to a whole shelf of books on literature.” — Susan Sontag

About the Author

Paul Kottman (PhD, Comparative Literature, UC Berkeley; Habilitation, Aesthetics, Scientifica Nazionale, Italy) is Associate Professor of Comparative Literature, with affiliation in Philosophy, at the New School. He is the author of Disinheriting the Globe: Tragic Conditions in Shakespeare (Hopkins, 2009), A Politics of the Scene (Stanford, 2008), and Love as Human Freedom (Stanford, forthcoming), the editor of Philosophers on Shakespeare (Stanford, 2009) and The Insistence of Art: Aesthetic Philosophy and Early Modernity (Fordham, 2017), and the translator of Cavarero: For More Than One Voice: Toward a Philosophy of Vocal Expression (Stanford, 2005). He is also the editor of the series Square One: First-Order Questions in the Humanities (Stanford).
پیشنهاد های مشابه
فهرست